This week I am making it a project to forgive myself of all my bad journal entries, even the ones that quote The Faint. I've been ashamed of them for a long time, and it's time to start thinking about them in a different way. My embarrassment about my online journals has only been getting worse as my scholarly training progresses, because art historians are such object and document fetishists that we would never ever ever consider online journals "real". If I quoted someone's online journal, or even an online book review, I would go to Academia Jail.
But the truth is that all my small writings between 2000 and 2008 are archival documents about my life. Once I printed out all my Diaryland entries and they totaled over 150 single-spaced pages, the largest piece of writing I had ever produced. It makes me wonder how I might treat my dissertation like an online journal. If funded in the proper fashion, I could write in it every day, wait 5 years to forgive myself of all its mistakes, and then begin edits. How many scholars and art historians take this long to produce each of their opuses? Maybe, for me, it's always been the natural way to work, and I've written two books since 1999 and don't even know it.
Here are a few choice quotes from journals past:
"I have been to the top of the mountain and seen the promised land, and it turns out that the promised land is not full of A Career like I'd been originally told; it is, instead, a wide basin full of Fritos and pot." - 09/2004
"London, London, how I love you. Even if your food is shitty and I got lost on the Tube four times. Went to the [anti Iraq War] demonstration in Hyde Park and let me tell you, the British will assemble like mad but they will NOT under any circumstances touch you. If your elbow gets jostled, you will receive a perfunctory apology from the jostler. Jesse Jackson was there, which was weird. His speech turned into this ritualistic series of chanting." - 02/2003
"My job has been taking a lot out of me these days. I feel as though I exist only as part of a secret art cult that worships motorcycles and meets in the basement of the Guggenheim and sings a lot of 80’s Britpop while dusting things." - 08/2001
"It's just beginning to get cold here. For the first time, I interpret the new weather, chillier nights, as an admonishment against continuing my current behavior rather than some whisper of promise. I don't plan to heed this "warning", though - meteorology is not my moral compass." - 09/2008
"At this party, I was treated as some sort of special person because I own a DVD that features an Iron Maiden concert from 1980 that Tim Bavington might have attended or seen on television. I would've imagined that the surplus of Iron Maiden enthusiasts in Las Vegas would have made such a scenario impossible, but it WAS a small party." -08/2006